孙良好：似曾相识燕归来我在《燕云台》中看到了“似曾相识”，但这不是简单

孙良好：似曾相识燕归来我在《燕云台》中看到了“似曾相识”，但这不是简单地回到过去，而是有一些新的发现。蒋胜男小说中的萧太后，与我小时候的印象完全不一样。原先就以为她是一个非常厉害的老太太，但是现在的形象就变得更加具体、感性和丰满。辽朝的形象，印象中也是被边缘化，但在燕云台中也变得清晰可敬。蒋胜男的创作既给了我一种陌生中的熟悉感，又给了我熟悉中的陌生感。引人入胜的历史小说，因为有儿女情长和宫廷争斗，能看到背后的历史深邃、人性深邃和哲理思考的人很少，但是蒋胜男的小说中就蕴含着这样的哲理韵味。在这部作品中，也无意识地融入了许多，传统文学的写作手法。其实文学应该不分雅俗新旧，文学只有好与坏，没有雅俗新旧，新旧雅俗都有好作品，也有坏作品。

Results (English) 1:

Sun Good: deja vu Yan return
I saw in "Yan head" of the "deja vu", but this is not simply return to the past, but there are some new discoveries. Empress Xiao Jiang Shengnan novel, and I remember as a child is completely different. It was originally thought she was a very powerful woman, but now the image becomes more concrete, sensuous and full. Liao Dynasty's image, the impression is being marginalized, but is also becoming clear head Yan respectable. Jiangsheng Nan creation not only gave me a sense of the familiar unfamiliar, gave me the familiar strangeness. Fascinating historical novel, because of their love and the court battle, to see the history behind the deep, deep humanity and philosophical thinking of very few people, but Jiangsheng Nan's novel contains just such a philosophy charm. In this work, also unconsciously it incorporates many writing techniques of traditional literature. In fact, literature should be refined and popular tastes, regardless of old and new, good and bad literature only, no refined and popular tastes old and new, old and new have refined and popular tastes good work and bad work.

Results (English) 2:

Sun good: seems to have known the return of Yan
I saw "like-dwelling" in Yan Yuntai, but it's not simply a return to the past, it's a new discovery. Xiao Tai, in Jiang Shengnan's novel, is completely different from the impression I had when I was a child. She was once thought to be a very powerful old lady, but now the image becomes more concrete, emotional and plump. The image of the Liao Dynasty, the impression is also marginalized, but also become clear and respectable in Yanyuntai. Jiang Shengnan's creation not only gave me a strange sense of familiarity, but also gave me a strange feeling of familiarity. Fascinating historical novels, because of the love of children and court struggle, can see behind the deep history, deep human nature and philosophical thinking of very few people, but Jiang Shengnan's novels contain such philosophical charm. In this work, also unconsciously into many, traditional literature writing techniques. In fact, literature should be regardless of the old and new, literature only good and bad, no elegant old and new, old and new customs have good works, but also bad works.

Results (English) 3:

Sun lianghao: the return of Yan
I saw "deja vu" in "yanyuntai", but this is not simply to go back to the past, but there are some new discoveries. Empress Xiao in Jiang Shengnan's novels is totally different from my childhood impression. She was originally thought to be a very powerful old lady, but now her image has become more specific, emotional and plump. The image of the Liao Dynasty was also marginalized in the impression, but also became clear and respectable in Yanyun Taizhong. Jiang Shengnan's creation not only gives me a sense of familiarity in strangeness, but also gives me a sense of strangeness in familiarity. Fascinating historical novels, because there are children's feelings and court fights, few people can see the profound history, human nature and philosophical thinking behind them, but Jiang Shengnan's novels contain such philosophical charm. In this work, it also unconsciously integrates many writing techniques of traditional literature. In fact, literature should not be divided into the old and the new. Literature only has the good and the bad. There is no new and the old. There are both good works and bad works.