唯一的办法是，角色转型、提升实力，从当前还没成为演技派的偶像，真正进阶

唯一的办法是，角色转型、提升实力，从当前还没成为演技派的偶像，真正进阶为长得很偶像的实力派。 首先是角色转型。不要沉浸于舒适区，一味选择角色形象单一、表演难度不大的言情偶像剧，毕竟已婚人士还过分夸张地在剧中你侬我侬，很容易显得“油腻”。这不是说剧中不能有言情，而是剧本应该更复杂更开阔一些，比如《庆余年》《鹤唳华亭》都是相对有深度的本子，范闲和萧定权的角色都比较立体；《锦衣之下》虽是披着探案外衣的言情剧，但言情与探案比例控制得当。

Results (English) 1:

The only way that the role of transformation, enhance the strength, not a current from the acting school idol, the idol looked really advanced as strength of the school.

The first is the role of transformation. Do not get stuck in a comfort zone, blindly choose the role of a single image, show the difficulty little romance drama, after all, married people also exaggerated in the play Lovers, it is easy to appear "greasy." This is not to say that the play can not have a romance, but the script should open some of the more complex, such as "Qingyu years" "dicey Huating" is relative depth of the book, the role of leisure and Fan Xiao given rights are more three-dimensional; "silk clothing of under "although Holmes was dressed in the cloak of romance drama, but a romance with Holmes proportional control properly.

Results (English) 2:

The only way is to transform the role, enhance the strength, from the current has not become the idol of the acting school, the real progress for the strength of the idol.

The first is role transformation. Don't immerse yourself in the comfort zone, choose the character image of a single, performance is not difficult to perform the love idol drama, after all, married people are also exaggerated in the play you and I, it is easy to appear "greasy". This is not to say that the play can not have words, but the script should be more complex and more open, such as "Celebrating Year" "He Huhu Pavilion" are relatively deep in this book, Fan Yu and Xiao Dingquan's role are relatively three-dimensional;

Results (English) 3:

The only way is to transform the role and improve the strength. From now on, the role has not become the idol of the performing arts school, and the real advancement is the strength school with a long idol.
The first is role transformation. Don't immerse yourself in the comfort zone, just choose the romantic idol drama with single role image and little difficulty in performance. After all, married people exaggerate too much in the drama, which is easy to appear "greasy". This is not to say that there should be no love in the play, but the play should be more complex and more open. For example, "Qing Yu" and "he zhe Hua Ting" are relatively deep books, and the roles of fan Xian and Xiao Dingquan are relatively three-dimensional; although "under the Royal Guards" is a love play in the guise of detective, the proportion of love and detective is properly controlled.